Early 20th Century Russia in Color

Sergei Mikhailovich Prokudin-Gorskii was a Russian chemist who also dabbled in photography. He captured some extraordinary pictures of average Russian citizens in the years immediately preceding World War I. They’re even more fascinating because they’re in color. By the start of the 20th century, photography had become a regular part of life for many people. But, color photography, in particular, was still a luxury. With limited materials and equipment, its practitioners had a small window of opportunity for snagging the natural color elements of their subjects. It’s one reason why early color photographs often look more like chalk drawings.

Prokudin-Gorskii studied the works of James Clerk Maxwell, a Scottish physicist who, in 1861, took the first known color photograph. Photographs were taken in standard black and white and then “colorized” with filters of the three primary colors: red, blue and green. The photos would be put through filters of the same three primary colors and then, projected onto a screen. People could view the final product by peering through an optical device called a chromoscope or a photochromoscope. The actual process is known as additive color, which involves the combination of two or more colors to create the perception of yet another color.

Here are just a handful of the many photographs Prokudin-Gorskii took during his travels across imperial Russia, including one of the legendary Leo Tolstoy and a self-portrait.

Peasant girls, 1909.

Peasant girls, 1909.

The Emir of Bukhara, 1911.

The Emir of Bukhara, 1911.

Lau-Dzhen-Dzhau, foreman of a tea factory in Chakva, ca. 1907-1915.

Lau-Dzhen-Dzhau, foreman of a tea factory in Chakva, ca. 1907-1915.

Melon vendor, 1911.

Melon vendor, 1911.

Group of Jewish children with a teacher, 1911.

Group of Jewish children with a teacher, 1911.

Group of children, 1909.

Group of children, 1909.

Uzbek woman, ca. 1907-1915.

Uzbek woman, ca. 1907-1915.

Dagestan couple, ca. 1907-1915.

Dagestan couple, ca. 1907-1915.

A Sart (Turkestani) man, 1911.

A Sart (Turkestani) man, 1911.

“Three Generations”, 1910.

“Three Generations”, 1910.

Turkmenistan man with camel, ca. 1907-1915.

Turkmenistan man with camel, ca. 1907-1915.

A Zindan (prison), ca. 1907-1915.

A Zindan (prison), ca. 1907-1915.

Migrant family, ca. 1907-1915.

Migrant family, ca. 1907-1915.

Workers harvesting tea, ca. 1907-1915.

Workers harvesting tea, ca. 1907-1915.

Nomadic Kirghiz, 1911.

Nomadic Kirghiz, 1911.

Pinkhus Karlinskii – Supervisor of Chernigov Floodgate, 1909.

Pinkhus Karlinskii – Supervisor of Chernigov Floodgate, 1909.

Hay gathering, 1909.

Hay gathering, 1909.

Work at the Bakalskii Mine Pit, 1910.

Work at the Bakalskii Mine Pit, 1910.

Outside Petrozavodsk on the Murmansk Railway, 1915.

Outside Petrozavodsk on the Murmansk Railway, 1915.

Monks at work, 1910.

Monks at work, 1910.

Weighing section, ca. 1907-1915.

Weighing section, ca. 1907-1915.

Hay storage, 1910.

Hay storage, 1910.

Village of Kolchedan, 1912.

Village of Kolchedan, 1912.

A view of Tiflis from the grounds of Saint David Church, ca. 1907-1915.

A view of Tiflis from the grounds of Saint David Church, ca. 1907-1915.

City of Tobol’sk from the Bell Tower of the Church of the Transfiguration, 1912.

City of Tobol’sk from the Bell Tower of the Church of the Transfiguration, 1912.

Abandoned chapel near the city of Belozersk, 1909.

Abandoned chapel near the city of Belozersk, 1909.

View of a monastery from the Solarium, 1910.

View of a monastery from the Solarium, 1910.

27) View-of-the-Monastery-from-the-Solarium-1910

Shakh-i Zinde Mosque, 1911.

Shakh-i Zinde Mosque, 1911.

A stork in Bukhara, Uzbekistan, 1911.

A stork in Bukhara, Uzbekistan, 1911.

Ekaterinin Spring, ca. 1907-1915.

Ekaterinin Spring, ca. 1907-1915.

Leo Tolstoy in Yasnaya Polyana, 1908.

Leo Tolstoy in Yasnaya Polyana, 1908.

Sergey Prokudin-Gorsky self-portrait at the Korolistskali River, 1912.

Sergey Prokudin-Gorsky self-portrait at the Korolistskali River, 1912.

 

Courtesy U.S. Library of Congress.

4 Comments

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4 responses to “Early 20th Century Russia in Color

  1. The history is fascinating, I miss using my film camera. I think I still love the pictures from film more than from digital. Somehow, there is simply more depth to them. Love the pic of the Emir, he is awesome.

    • Film produces a more exact replica of an image than videotape, or digital film, because it allows for a wider range of color variations and shades. Videotape, while technically more convenient, projects sharper-looking edges that may appear more life-like. But, in reality, videotape doesn’t distinguish too much between, say, maroon and burgundy.

  2. Wonderful photos. That monastery is breathtaking. Not something you see in Ohio. 😉

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