Tag Archives: Honduras

Self-Inflicted

“When fascism comes to America, it will be wrapped in the flag and carrying a cross.”

Sinclair Lewis, 1935

I had a certain sensation deep inside of me; the same kind of feeling when I know something dramatic – either good or bad – is about to happen.  This time it was bad, and I almost felt sick.  Donald Trump has been reelected to the U.S. presidency.  He becomes only the second president in U.S. history to win a second term that didn’t immediately follow the first.  He also has the dubious distinction of being the first indicted criminal to be elected.  Little could be stranger or sadder for the American people.  I suppose, though, that too many people drank that proverbial Kool-Aid offered by the Republican despot; a man who openly admires the likes of Vladimir Putin and Kim Jong-Un; who has advocated violence against others; who has threatened to imprison anyone who disagrees with him; who incited a riot nearly four years ago; and who has demonstrated no true respect for average, working Americans.

I am embarrassed by and disgusted with many of my fellow Americans who helped put Trump into office.  The Democratic Party, however, really has no one but themselves to blame for this chaos.  Their leadership stood by as Joe Biden and Bernie Sanders ran for president in 2020.  With all due respect to those two gentlemen, their time had come and gone.  The window to run for and win the U.S. presidency is small.  I felt Biden and Sanders would have better served the country by giving speeches and writing books about the value and importance of democracy and how people like Trump pose the worst threat to our constitutional freedoms.

For the Democrats, the 2020 presidential race began with the most diverse slate of candidates – and ended with the same tired old figures that traditionally represented both parties: old White men.  Now understand I’m a mostly White male and have no qualms about it.  But this nation boasts too varied a population to rely upon the same types of people to lead us.

And it’s not that the U.S. isn’t ready for a female president.  We’re way past ready.  It’s just that the Democrats (and the Republicans for that matter) have never chosen the right women to lead them.  I’ve always said Hillary Clinton was too divisive a figure.  While I loved Bill “Who’s Your Daddy” Clinton, I personally never cared for Hillary.  And, although Kamala Harris made history by becoming the first female vice-president in U.S. history, she didn’t do enough to separate herself from Biden.

In 1993 Canada elected its first female prime minister, Kim Campbell, and highly patriarchal and staunchly Roman Catholic México just elected its first female (and Jewish) president, Claudia Scheinbaum.  Thus far, eighteen other women either have been elected or ascended to the highest office in their respective countries in the Western Hemisphere:

Jeanine Áñez, Bolivia, 2019-20

Rosalía Arteaga, Ecuador, 1997

Michelle Bachelet, Chile, 2006-10 and 2014-18

Dina Boluarte, Peru, since 2022

Sylvanie Burton, Dominica, since 2023

Xiomara Castro, Honduras, since 2022

Violeta Chamorro, Nicaragua, 1990-97

Eugenia Charles, Dominican Republic, 1980-95

Laura Chinchilla, Costa Rica, 2010-14

Cristina Fernández de Kirchner, Argentina, 2007-15

Lidia Gueiler Tejadam, Bolivia, 1979-80

Mireya Moscoso, Panama, 1999-2004

Mia Mottley, Barbados, since 2018

Ertha Pascal-Trouillot, Haiti, 1990-91 (acting president)

Michèle Pierre-Louis, Haiti, 2008-09

Dilma Rousseff, Brazil, 2014-16

Portia Simpson-Miller, Jamaica, 2006-07 and 2012-16

Claudette Werleigh, Haiti, 1995-96

Trump does not represent me – never has and never will.  He has proclaimed total disrespect for people who aren’t exactly like him.  And I’m certainly not like him.  I’m not a wealthy, full-blooded Caucasian womanizer who cheated on his taxes and has disdain for the American military.  I feel that he’s a genuine threat to free speech and the right to vote, but – like most conservatives – has the full support of gun rights advocates.  This latter band of extremists has always placed the value of firearms above free speech and the right to vote – and certainly above the lives of human beings.

One of my concerns with Trump’s return to the White House is that he will implement the so-called Project 2025 – a federal policy agenda created by the Heritage Foundation, a far-right conservative outfit that is a borderline hate group.  Many officials in Trump’s first administration took part in the project’s creation, which demands a complete overhaul of the government based on staunchly conservative ideology.  That philosophy features opposition to the usual causes: abortion and reproductive freedom and queer rights, but also immigration and racial equity.  Moreover, Project 2025 calls for unwarranted surveillance on specific individuals; using force to quell protestors; and targeting journalists who they deem enemies of the state.  This might sound familiar to those schooled in global political history.  They’re the same kind of tactics the Nazis and the former Soviet Union used on its own civilians.  Argentina pursued the same agenda during its “Dirty War”, and North Korea is doing it now.

I don’t know what’s next for America, but I see nothing good on the horizon.  I’m certain my conservative friends and relatives will assume I’m being paranoid, even hysterical.  Yet I felt similar sensations of foreboding when George W. Bush became president in 2000.  And I was right.  The U.S. ended up both in war and a recession.

I’m almost certain it will happen again.

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Masked and on a Mission

The “Urban Maeztro” at work.

When you think of masked crusaders, you don’t generally think of spirited souls galloping around under the cover of darkness, plastering the walls of the city with impromptu works of art.  But, that’s exactly what’s happening in Tegucigalpa, Honduras.  A man known only as “Urban Maeztro,” or “Urban Master,” takes only minutes to plaster his message onto a wall and then, he’s gone.  In one location, he plastered a giant black-and-white reproduction of Leonardo da Vinci’s “Mona Lisa” wielding a pink pistol.  In another, he slapped an image of Rene Magritte’s “Son of Man,” onto a wall of one of the city’s most elegant hotels, substituting a grenade for the apple covering the face of the suited subject in a bowler hat.  There’s meaning in the mayhem.

Tegucigalpa is the most violent city in the entire Western Hemisphere – with 1,149 murders in 2011, or 87 for every 100,000 – and one of the most violent in the world.  It’s a sadly ironic situation; considering Honduras – like most of Central America – was in the grip of so much civil unrest throughout much of the past 50 years.  That terror has become embedded in the city’s fabric.  The population of 1.2 million lives in a perpetual state of fear; burdened even further by poverty and a fragile government.

The Urban Maeztro is actually a 26-year-old former advertising agency employee.  “The level of how common guns have become in this country has passed what is rationally admissible,” he said recently.  “It doesn’t seem to surprise anyone, but for me it continues to be madness.”

He attracts the attention of passing viewers by defacing posters of artistic masterpieces with guns, grenades and other tools of violence.  He also employs more traditional graffiti, such as painting sections of metal light poles to look like bullets.

“There is a parallel between the brutal violation of a work so beautiful by adding a firearm and the violence and guns in Tegucigalpa, which could also be a beautiful city without them,” he says.

He said the catalyst for his mission came when he entered a UNESCO poster contest on cultural diversity.  When he lost the contest, he decided that the institutional doors for supporting his idea were closed.

“The natural place for art is the street, forget the middleman,” he says.

Since then he’s created a dynamic that includes making his own glue by boiling wheat and water, which he said is “the best adhesive and cheap,” and roaming the city on Sunday afternoons seeking vacant walls and inspiration.  His accomplice, the documentarian Junior Alvarez, keeps watch while he works, then photographs the final piece.

“At first I had anxiety when I went into the streets,” notes the artist, “but now I’m used to the adrenaline.”

His work his danger and illegal, especially in a country that experienced yet another coup just three years and where many citizens believe the police and the military work in concert to foment the violence and keep the populace in check with fear.

During another artistic assault, a security guard watched as the Urban Maeztro plastered Grant Wood’s “American Gothic” on a wall in front of the National University.

“Who pays you to do that?” the guard asked.

“No one,” the artist answered.

“Then why do it?”

“To help you think.”  And then, he was gone.

Sometimes, that’s what people need to do – think about their environment and their world and how they can change it for the better.

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