From illness and tragedy, art always seems to bloom to place ourselves and our world into a grand perspective. After the “Black Death” rampaged through Eurasia and North Africa in the 14th century, the “danse macabre”, or dance of death, became an artistic representation of how death is the ultimate equalizer. Beginning in Western Europe and gaining popularity in the Middle Ages, it was a literary or pictorial representation of both living and dead figures – from pope to hermit – leading their lives as normal, before entering a grave.
Recently some pallbearers in Ghana envisioned the dance for contemporary deaths and the ensuing funerals. As many Africans tend to do, they celebrate death as the next stage of life – mournful and often tragic, for certain. Singing and dancing, they honor the deceased for the life they led on Earth and the glorious new life they should have in the next realm.
It’s how I view death. My paternal grandfather said he respected death more than any other aspect of the world because it’s not prejudiced or bigoted. It simply spares no one. I felt some measure of glee when I watch the ending of the 1997 movie “Titanic”, as the ship sank and the plethora of furnishings and luxurious items shattered. Not because I love seeing things destroyed! But because all of the vainglorious possessions of the vessel’s wealthiest patrons could not save them. They may have been rescued because of their wealth, as many of them entered the smattering of lifeboats first. But, whether dead at that moment or dead later, they would never be able to take those items with them.
We all come into this world naked and screaming, clutching nothing but our souls in our hands. We leave with the same.
Chief Writing Wolf 